Rendering 14

The article published on the news website The New York Times on May 27, 2013 is called « New Albums by Laura Marling, TerenceBlanchard, Frankie J and Cecile McLorin Salvant». 

The article opens the secrets about tne new albums of Laura Marling.She called herself not a victim of romance, however he music is filled with love. Ms. Marling was a teenager when she emerged in London alongside groups like Mumford & Sons, revealing herself as a songwriter displaced in time: a musical child of the late 1960s. She’s closer to Joni Mitchell, Sandy Denny, Pentangle, John Martyn and the Incredible String Band than to anyone of her own generation. Ms. Marling has cultivated vintage skills. Her songwriting brings together the diaristic and the mythical. Her voice is full of grown-up depth and subtleties. She shows a genuine connection with British and American traditions, and she has the guitar virtuosity for arrangements that are resonant, intricate and propulsive.

The article draws a conclusion that her music goes slow and very fast, very low and very high, passing through near-abstraction, without grating or overreaching; it a typical thatsuddenly her voice changes, darkens and becomes heavier and soggier, almost drunk, before snapping back to lightness again.

To sum it up I’d like to give you some more information about Laura. She (born 1 February 1990) is an English folk musician from Eversley, Hampshire.Marling became prominent with the London folk scene, she has also toured with a number of well-known indie artists in the UK. Her debut album Alas, I Cannot Swim, and her second album I Speak Because I Can were nominated for the Mercury Music Prize in 2008, and 2010 respectively. She won Best Female Solo Artist at the 2011 Brit Awards and was nominated for the same award at the 2012 Brit Awards.