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среда, 29 мая 2013 г.

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The article published on the news website The New York Times on May 22, 2013 is called « Mozart as a Burnished Bookend, Heartening toYoung and Old». 

The article opens the secrets about Chamber Music Society of Lincoln Center that plays Mozart at Alice Tully. It was revealed that the Chamber Music Society of Lincoln Center completed its season on Tuesday evening at Alice Tully Hall, it did so with what amounted to a warm collective hug. The audience was very satisfied with their work.So, it’s a well-known fact that the concert, which repeated a program presented on Sunday evening, offered no surprises. Moreover, it indicated the state of the music society and its roster.

The article reports at length that while playing Mozart’s Trio in B flat (K. 502) with two long-serving society associates, the violinist Ani Kavafian and the cellist Timothy Eddy, the pianist Soyeon Kate Lee managed the neat trick of standing out and fitting in simultaneously. It was mentioned that the concert ended with a deeply satisfying rendition of the Quintet in C for Two Violins, Two Violas and Cello (K. 515), a rhythmically slippery, harmonically advanced piece that Mozart composed during a break in writing “Don Giovanni” in 1787.

The article draws a conclusion that a new season with its fresh initiatives commences in October under her successor, Suzanne Davidson.

To sum it up I’d like to give you some more information about the creative work is very noble and takes much energy and time. It’s a priceless, invaluable and endless contribution to arts.

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The article published on the news website The New York Times on May 27, 2013 is called « New Albums by Laura Marling, TerenceBlanchard, Frankie J and Cecile McLorin Salvant». 

The article opens the secrets about tne new albums of Laura Marling.She called herself not a victim of romance, however he music is filled with love. Ms. Marling was a teenager when she emerged in London alongside groups like Mumford & Sons, revealing herself as a songwriter displaced in time: a musical child of the late 1960s. She’s closer to Joni Mitchell, Sandy Denny, Pentangle, John Martyn and the Incredible String Band than to anyone of her own generation. Ms. Marling has cultivated vintage skills. Her songwriting brings together the diaristic and the mythical. Her voice is full of grown-up depth and subtleties. She shows a genuine connection with British and American traditions, and she has the guitar virtuosity for arrangements that are resonant, intricate and propulsive.
The article draws a conclusion that her music goes slow and very fast, very low and very high, passing through near-abstraction, without grating or overreaching; it a typical thatsuddenly her voice changes, darkens and becomes heavier and soggier, almost drunk, before snapping back to lightness again.

To sum it up I’d like to give you some more information about Laura. She (born 1 February 1990) is an English folk musician from Eversley, Hampshire.Marling became prominent with the London folk scene, she has also toured with a number of well-known indie artists in the UK. Her debut album Alas, I Cannot Swim, and her second album I Speak Because I Can were nominated for the Mercury Music Prize in 2008, and 2010 respectively. She won Best Female Solo Artist at the 2011 Brit Awards and was nominated for the same award at the 2012 Brit Awards.

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The article published on the news website Los Angeles Times on May 27, 2013 is called «Behind the candelabra: Liberace'sbling a legacy to classical music». The article opens the secrets about the life or the profound pianist Valentino Liberace. We knew, that as a kind, he was overprotected by his mother and some people considered that he was mummy's boy.However, Liberace smiled at anyone who showed any interest in him for any reason whatsoever. He was an open-hearted person. Liberace began playing the piano at age four. His father took his children to concerts to further expose them to music, but he was also a taskmaster demanding high standards from the children in practice and performance. Liberace's prodigious talent was in evidence early. He memorized difficult pieces by age seven. He studied the technique of the famous Polish pianist and later family friend Ignacy Paderewski and at eight met him backstage at the Pabst Theater in Milwaukee. As Liberace hardly invented showmanship, he borrowed some Paderewski's technique and interpretations.


The article draws a conclusion that Liberace found a way to sell himself on image and charm. It worked spectacularly well. He was for a period the highest-paid entertainer on television. The clothes and lifestyle became his form of artistic expression. But he got caught in what he ultimately called an unending trap of continually having to outdo himself, forced to become more and more extreme to renew his act.


To sum it up I’d like to give you some more information about the greates person of tke last epoch.So,Valentino Liberace,best known as Liberace, was an American pianist and vocalist.In a career that spanned four decades of concerts, recordings, motion pictures, television, and endorsements, Liberace became world-famous. During the 1950s–1970s he was the highest-paid entertainer in the world and embraced a lifestyle of flamboyant excess both on and off stage.He publicly denied being gay during his lifetime, and sued those who said he was. Towards the end of his life his chauffeur, Scott Thorson, sued him for palimony. He died of an AIDS-related illness in 1987.

Film Review 4



The Great Gatsby (2013 film)


Cast:
Leonardo DiCaprio
Tobey Maguire
Carey Mulligan
Joel Edgerton
Isla Fisher
Elizabeth Debicki
Jason Clarke

Director:  Baz Luhrmann


Genres:Fantasy | Drama

Synopsis:
The Great Gatsby shows us the life and times of millionaire Jay Gatsby and his neighbor Nick, who recounts his encounter with Gatsby at the height of the Roaring Twenties. The film was released on May 10, 2013.

Review:
Nick Carraway, a young man from Minnesota, moves to New York in the summer of 1922 to learn about the bond business. He rents a house in the West Egg district of Long Island, a wealthy but unfashionable area populated by the new rich, a group who have made their fortunes too recently to have established social connections and who are prone to garish displays of wealth. Nick’s next-door neighbor in West Egg is a mysterious man named Jay Gatsby, who lives in a gigantic Gothic mansion and throws extravagant parties every Saturday night.
Nick is unlike the other inhabitants of West Egg—he was educated at Yale and has social connections in East Egg, a fashionable area of Long Island home to the established upper class. Nick drives out to East Egg one evening for dinner with his cousin, Daisy Buchanan, and her husband, Tom, an erstwhile classmate of Nick’s at Yale. Daisy and Tom introduce Nick to Jordan Baker, a beautiful, cynical young woman with whom Nick begins a romantic relationship. Nick also learns a bit about Daisy and Tom’s marriage: Jordan tells him that Tom has a lover, Myrtle Wilson, who lives in the valley of ashes, a gray industrial dumping ground between West Egg and New York City. Not long after this revelation, Nick travels to New York City with Tom and Myrtle. At a vulgar, gaudy party in the apartment that Tom keeps for the affair, Myrtle begins to taunt Tom about Daisy, and Tom responds by breaking her nose.
As the summer progresses, Nick eventually garners an invitation to one of Gatsby’s legendary parties. He encounters Jordan Baker at the party, and they meet Gatsby himself, a surprisingly young man who affects an English accent, has a remarkable smile, and calls everyone “old sport.” Gatsby asks to speak to Jordan alone, and, through Jordan, Nick later learns more about his mysterious neighbor. Gatsby tells Jordan that he knew Daisy in Louisville in 1917 and is deeply in love with her. He spends many nights staring at the green light at the end of her dock, across the bay from his mansion. Gatsby’s extravagant lifestyle and wild parties are simply an attempt to impress Daisy. Gatsby now wants Nick to arrange a reunion between himself and Daisy, but he is afraid that Daisy will refuse to see him if she knows that he still loves her. Nick invites Daisy to have tea at his house, without telling her that Gatsby will also be there. After an initially awkward reunion, Gatsby and Daisy reestablish their connection. Their love rekindled, they begin an affair.
After a short time, Tom grows increasingly suspicious of his wife’s relationship with Gatsby. At a luncheon at the Buchanans’ house, Gatsby stares at Daisy with such undisguised passion that Tom realizes Gatsby is in love with her. Though Tom is himself involved in an extramarital affair, he is deeply outraged by the thought that his wife could be unfaithful to him. He forces the group to drive into New York City, where he confronts Gatsby in a suite at the Plaza Hotel. Tom asserts that he and Daisy have a history that Gatsby could never understand, and he announces to his wife that Gatsby is a criminal—his fortune comes from bootlegging alcohol and other illegal activities. Daisy realizes that her allegiance is to Tom, and Tom contemptuously sends her back to East Egg with Gatsby, attempting to prove that Gatsby cannot hurt him.
When Nick, Jordan, and Tom drive through the valley of ashes, however, they discover that Gatsby’s car has struck and killed Myrtle, Tom’s lover. They rush back to Long Island, where Nick learns from Gatsby that Daisy was driving the car when it struck Myrtle, but that Gatsby intends to take the blame. The next day, Tom tells Myrtle’s husband, George, that Gatsby was the driver of the car. George, who has leapt to the conclusion that the driver of the car that killed Myrtle must have been her lover, finds Gatsby in the pool at his mansion and shoots him dead. He then fatally shoots himself.
Nick stages a small funeral for Gatsby, ends his relationship with Jordan, and moves back to the Midwest to escape the disgust he feels for the people surrounding Gatsby’s life and for the emptiness and moral decay of life among the wealthy on the East Coast. Nick reflects that just as Gatsby’s dream of Daisy was corrupted by money and dishonesty, the American dream of happiness and individualism has disintegrated into the mere pursuit of wealth. Though Gatsby’s power to transform his dreams into reality is what makes him “great,” Nick reflects that the era of dreaming—both Gatsby’s dream and the American dream—is over.
As for the performance of the actors it was brilliant! Leonardo DiCaprio was the best of the best. He is great at portraying every possible human feelings and emotions. He is a great master of his craft.
To sum it up, I'd like to say that my overall impression is positive. While watching this movie, I enjoyed music and the atmosphere of that time. Good upbringing and proper manners of the main characters made me to dive into that American dream.

вторник, 21 мая 2013 г.

Individual Reding Part 6



Having arrived in Tahiti where Strickland spent the last years of his life, the narrator meets Captain Nichols, who was with Charles to his last day and Nichols described their life in Marseilles. So, we knew that Charles married a local woman Ata and three years with her were the happiest in his life. Ata took care of him and their children while Charles continued drawing. Several years later the man got leprosy and died. The narrator returned to London where he meets Mrs. Strickland again. He told her everything he knew about her husband not mentioning Ata and her son. Mrs. Strickland was very proud to be the wife of a genius and showed the narrator the copies of Charles’ pictures. And the author considered Strickland to be a genius of great talent. All his works conveyed all Charles’ feelings, emotion, in other word his real personality. Art was only one true Charles’ passion.